Who arranged Pictures at an Exhibition?
Although originally composed in 1874 for solo piano, Pictures became better known in orchestral form, particularly as arranged by French composer Maurice Ravel in 1922. The work was also orchestrated by other composers, such as Sir Henry J. Wood (1918), Leopold Stokowski (1939), and Vladimir Ashkenazy (1982).
Is Pictures at an Exhibition in public domain?
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or fewer.
What element is in the first piece of Pictures at an Exhibition?
What element in the first piece of Pictures at an Exhibition helps depict the composer walking through an art gallery? The grotesque character of the piece “Gnomus” is musically depicted through: dissonance and a lurching rhythm.
Is Pictures at an Exhibition a tone poem?
Russian composer Modest Mussorgsky (1839-1881) wrote one of the most vivid collections of tone poems (or “sound pictures”) ever written, Pictures at an Exhibition, as a piano suite in 1874.
Why was music at an exhibition dedicated to Stasov?
The music depicts his tour of the exhibition, with each of the ten numbers of the suite serving as a musical illustration of an individual work by Hartmann. Five days after finishing the composition, he wrote on the title page of the manuscript a tribute to Vladimir Stasov, to whom the work is dedicated.
Where was the memorial exhibition of Hartmann held?
Stasov helped to organize a memorial exhibition of over 400 Hartmann works in the Imperial Academy of Arts in Saint Petersburg in February and March 1874. Mussorgsky lent to the exhibition the two pictures Hartmann had given him, and viewed the show in person.
How does Mussorgsky link the exhibition to the exhibition?
Mussorgsky links the suite’s movements in a way that depicts the viewer’s own progress through the exhibition. Two Promenade movements stand as portals to the suite’s main sections.
Who was the composition of pictures at an exhibition based on?
The composition is based on pictures by the artist, architect, and designer Viktor Hartmann. It was probably in 1868 that Mussorgsky first met Hartmann, not long after the latter’s return to Russia from abroad. Both men were devoted to the cause of an intrinsically Russian art and quickly became friends.